Exhibition overview

27 photographic projects
from all over Europe

in the 21st century

110 photographs
and 6 video works

exploring the diversity of our relationship with history

7 exhibition chapters
showing the contrasting ways

we invite the past into our present

When
28 March 2025 - 11 January 2026
Admission
Free
Location
House of European History, Park Leopold, Rue Belliard 135, 1000 Brussels, Belgium

The Presence of the Past exhibition takes place at a turning point for the European Union, the European continent and the world.

Every photograph is a small monument, a testimony to the past. Each image is an act of remembrance.

Guided tour of ‘Presence of the Past’

An active focus on selected photographs

The guided tour is based on public participation using the “Visible Thinking Method”, which encourages observations of the photographs before going into a facilitated discussion based on what is seen, reflections, interpretations, facts about the documentary photographs and concepts of the exhibition. 

A selection of the following questions would also be addressed: 

  • What is the past and what is history?
  • How do re-enactments represent  historical events? 
    What is commemorated or de-commemorated and how?
  • How does ‘hero-making’ work? 
Duration:
groups of 10 - 15 persons can book a 90-minutes guided tour
Languages:
English, French, German or Dutch.
Booking time:
one month in advance.

The tour is designed for the general audience, aged 16 years old and over. Book via the museum’s online booking platform. School groups may also book these tours. To prepare, teachers may request the catalogue of the exhibition in electronic format via email.

Slow Looking Saturday – Take your time in ‘Presence of the Past’

Join us on the first Saturday of each month from May to December to explore the exhibition at a different pace. Led by one of our guides, take your time and look at one selected picture. Each session will focus on a different picture.

Discover the full programme and selected pictures. 

  • The Slow Looking Saturdays are 05.04 | 03.05 | 07.06 | 05.07 | 02.08 | 06.09 | 04.10 | 06.12.
  • Registration is not mandatory – but you can sign up to receive a reminder.
  • Meet the guide at 14:30 in the Fables Room (just before the entrance of the temporary exhibition) – be aware that to enter the museum, you should pass through security checks which can take some time. Please arrive 10 minutes in advance.
  • The activity will be held in English.
  • It is suitable for people aged 16 years old and over.

Exhibition sections

  1. Destination history

    Contemporary tourism transformed the past into something that can be visited.

    From Cleopatra’s pool in Türkiye to the Auschwitz memorial to Lisbon’s Monument of the Discoveries, are we tourists or time travellers?

  2. Post-heroic commemorations

    Dissatisfaction with official cultures of remembrance led Europeans to organise grassroots commemorations.

    The Sarajevo siege and the Second World War are now remembered with healing ceremonies.

  3. Re-enactments

    Re-enactments are reconstructions of historical events, which focus on authenticity in every detail.

    Europeans re-enact all periods of history, from prehistoric times to the Viking Age, from medieval battles to the wars of the 20th century.

  4. Hero-making

    Does historical greatness endure?

    From Atatürk to Pope John Paul II to Maradona, heroes are made and unmade by each one of us.

  5. De-commemoration

    Can we make an unwanted past disappear by removing its monuments?

    Communist monuments from Bulgaria, Ukraine and former Yugoslavia share the space with de-colonial claims on public monuments.

  6. The past as landscape

    Not everything is meant to be commemorated and enshrined as heritage. Forgetting is natural.

    This section reveals how human history has deeply shaped European landscapes.

  7. Everyday historians

    The faster the present moves, the greater our need for anchors in the past.

    Collecting, preserving, archiving is how Europeans are now documenting the wonders and horrors of the past.

Exhibited artists and photographers

Participatory partnership

Six students and recent alumni of the Photography Department of the École nationale supérieure des arts visuels de La Cambre were invited to create a counterpoint to the themes and photographs curated by the museum. Each section exhibits one such project, developed under the coordination of professors Hervé Charles and Olivier Thieffry.

Exhibition team

 

Simina Bădică, Stéphanie Gonçalves, Andrea Morkcurators
Nathalie Minten, Karolina Milkowska, Rocío del Casar Ximénez, Vladimir Čajkovac     conservation and collection management
Pieterjan van Langenhove, Pauline Gaulteducators
Estela Vallejo Latorreevents coordinator
Philippe Peyredieu du Charlat exhibition production manager
Vito Maltese, Marco Bellocchio, Carlos Ibañez, Ollivier Rocherfacilities and security management
Tatiana Tumashikcommunication team
Jasna Burnfinancial coordinator
Exhibition Design
Marie Douel Studio (Bavo Gladiné, Lolà Mancini, Marie Douel)
Production
Meyvaert
Graphic Design
Laure Giletti, Gregory Dapra
Photographic print
Milo-Profi
Graphics print
Bulle Color
Mounting and art handling
Steven Blum and team